Aless
Retired Administrator
he/him
10,269
27,578
funk generation
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Post by Aless on Jan 15, 2018 0:12:41 GMT 1
tyvm for this post, now I won't be able to sleep  |
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Why can't you hold me in the street? Why can't I kiss you on the dance floor?
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Post by inactivo (nq era) on Jan 15, 2018 7:26:41 GMT 1
Were all this gifs be necessary??
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Sel
FBA Reference Group
6,775
12,154
They look at me at, like i'm in a crisis
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Post by Sel on Jan 15, 2018 8:13:20 GMT 1
Were all this gifs be necessary?? Sí. |
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Yeah yeah fire!
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Post by Алексито ✪ on Jan 15, 2018 14:24:10 GMT 1
Should I be scared with those gifs?  Rome NVSC 25  |
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Post by fabbi on Jan 15, 2018 17:46:45 GMT 1
 at those gifs. I don’t get why that was done and am happy that I've seen them this morning underway to work. Where has the hype about it suddenly come from? |
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Post by italix on Jan 15, 2018 20:41:24 GMT 1
 Where has the hype about it suddenly come from? I don't know. Betta Lemme finished only 14th of Mondevision Song Contest 4 when I used her for Quebec (with the song she made with Sofi Tukker). I'm glad I don't have to vote in a contest where Bambola is in and I wish I won't have to. The melody and the lyrics of Bambola by Patty Pravo have been partially re-used in this song, enough to make me immediately think about it when I listen to Betta's song (it was a deja vu at first listening for the intro but I immediately made the connection as soon as I heard "Come se fossi una bambola..."). And Bambola is not a random song but a very big standard of Italian music (and even French, as Patty Pravo and Dalida sang it also in French). I would feel more comfortable if I knew if Patty Pravo claimed (or already obtained) rights on this song. |
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Post by CHAE WITH A C on Jan 15, 2018 20:54:48 GMT 1
Where has the hype about it suddenly come from? I don't know. Betta Lemme finished only 14th of Mondevision Song Contest 4 when I used her for Quebec (with the song she made with Sofi Tukker). I'm glad I don't have to vote in a contest where Bambola is in and I wish I won't have to. The melody and the lyrics of Bambola by Patty Pravo have been partially re-used in this song, enough to make me immediately think about it when I listen to Betta's song (it was a deja vu at first listening for the intro but I immediately made the connection as soon as I heard "Come se fossi una bambola..."). And Bambola is not a random song but a very big standard of Italian music (and even French, as Patty Pravo and Dalida sang it also in French). I would feel more comfortable if I knew if Patty Pravo claimed (or already obtained) rights on this song. It would be hard to claim rights on a song that he didn't write or have no production in. |
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Post by fabbi on Jan 15, 2018 21:39:34 GMT 1
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You're stuck on me like a Tattoo 💙💛💙
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Post by Josh's Tattoo (Inactive) on Jan 15, 2018 21:42:14 GMT 1
Am I not agreeing with you  |
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Post by italix on Jan 15, 2018 23:22:22 GMT 1
I don't know. Betta Lemme finished only 14th of Mondevision Song Contest 4 when I used her for Quebec (with the song she made with Sofi Tukker). I'm glad I don't have to vote in a contest where Bambola is in and I wish I won't have to. The melody and the lyrics of Bambola by Patty Pravo have been partially re-used in this song, enough to make me immediately think about it when I listen to Betta's song (it was a deja vu at first listening for the intro but I immediately made the connection as soon as I heard "Come se fossi una bambola..."). And Bambola is not a random song but a very big standard of Italian music (and even French, as Patty Pravo and Dalida sang it also in French). I would feel more comfortable if I knew if Patty Pravo claimed (or already obtained) rights on this song. It would be hard to claim rights on a song that he didn't write or have no production in. When you use a part of the work of another artist (significant enough to be recognised), he/she has rights on it. If you present the whole song as yours, and don't credit the original artist, there is a risk that the owners of rights of the work you used claim for a compensation or even ask the court to remove your song from the market. The core of the debate to determine if the borrowed part is significant enough, so there is a part of subjectivity. |
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